Theater of the OppressedUrizen Books, 1979 - 197 |
Z wnętrza książki
Wyniki 1 - 3 z 35
Strona 93
... Brecht , the character's social relations create the dramatic action . Brecht is squarely , totally , globally opposed to Hegel . There- fore it is a mistake to use , for designating his poetics , a term which means a genre in the ...
... Brecht , the character's social relations create the dramatic action . Brecht is squarely , totally , globally opposed to Hegel . There- fore it is a mistake to use , for designating his poetics , a term which means a genre in the ...
Strona 103
... Brecht does , fundamentally , is to place the emphasis on understanding ( enlightment ) , on dianoia . At no time does Brecht speak against emotion , though he always speaks against the emotional orgy . He says that it would be absurd ...
... Brecht does , fundamentally , is to place the emphasis on understanding ( enlightment ) , on dianoia . At no time does Brecht speak against emotion , though he always speaks against the emotional orgy . He says that it would be absurd ...
Strona 111
... Brecht refers is proper only to the dramatic genre , and is totally absent from the lyrical and epic genres , it is furthermore proper to the dramatic genre in both poetics idealist and materialist , Hegelian and Marxist . - All the ...
... Brecht refers is proper only to the dramatic genre , and is totally absent from the lyrical and epic genres , it is furthermore proper to the dramatic genre in both poetics idealist and materialist , Hegelian and Marxist . - All the ...
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi