Theater of the OppressedUrizen Books, 1979 - 197 |
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Strona 160
... Brazilian actors who , even if they were stutterers , would stutter in the Brazilian language , mix- ing the " tú " with " vós , " and not in continental Portuguese . - 664 - - The Arena had to answer with national texts and Brazilian ...
... Brazilian actors who , even if they were stutterers , would stutter in the Brazilian language , mix- ing the " tú " with " vós , " and not in continental Portuguese . - 664 - - The Arena had to answer with national texts and Brazilian ...
Strona 161
... Brazilian villagers . The dichotomy continued , now inverted . What was absolutely necessary was a dramaturgy that would create Brazilian characters for our actors . The Seminar of Dramaturgy is founded in São Paulo . In the beginning ...
... Brazilian villagers . The dichotomy continued , now inverted . What was absolutely necessary was a dramaturgy that would create Brazilian characters for our actors . The Seminar of Dramaturgy is founded in São Paulo . In the beginning ...
Strona 171
... ( Brazilian National Anthem ) or that " like a white swan on moonlit nights , something glides on a blue sea " ( Hymn of the Brazilian Navy ) . In the same manner and because of the simple way in which the idea is presented , nobody would ...
... ( Brazilian National Anthem ) or that " like a white swan on moonlit nights , something glides on a blue sea " ( Hymn of the Brazilian Navy ) . In the same manner and because of the simple way in which the idea is presented , nobody would ...
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abstract accept according actors anagnorisis Arena Theater Aristotelian Aristotle Arnold Hauser artist asked audience Augusto Boal barbecue becomes behavior Bertolt Brecht bourgeois bourgeoisie Brazilian Brecht catharsis character character's characteristics concrete conflict Corín Tellado created Creon dianoia dramatic action emotions empathy epic poetry esthetic ethical example exist fact feudal function fundamental Galy Gay genre hamartia hand happened happiness Hegel hero human interpretation Joker live Machiavelli matter Molière moral movement necessary objective oppressed Parmenides participants passions peasants perfect performance peripeteia person pity and fear play poetics political present produced proposed protagonist reality relation ritual role São Paulo scene social ethos society soul spectacle spectator stage story structure symbol system of tragedy technique theatrical things Timoteo tion Tiradentes Tragedy imitates tragic flaw transformed truth utilized values vice virtù virtue virtuous woman Zumbi