The Pop Palimpsest: Intertextuality in Recorded Popular MusicLori Burns, Serge Lacasse University of Michigan Press, 29 sty 2018 - 360 Within popular music there are entire genres (jazz “standards”), styles (hip hop), techniques (sampling), and practices (covers) that rely heavily on references between music of different styles and genres. This interdisciplinary collection of essays covers a wide range of musical styles and artists to investigate intertextuality—the shaping of one text by another—in popular music. The Pop Palimpsest offers new methodologies and frameworks for the analysis of intertextuality in popular music, and provides new lenses for examining relationships between a variety of texts both musical and nonmusical. Enriched by perspectives from multiple subdisciplines, The Pop Palimpsest considers a broad range of intertextual relationships in popular music to explore creative practices and processes and the networks that intertextual practices create between artists and listeners. |
Spis treści
Introduction Lori Burns and Serge Lacasse | 1 |
Section I Transtextualities | 7 |
Section II Intertextual Analyses | 83 |
Section III Intermedial Subjectivities | 213 |
Section IV Intertextual Productions | 271 |
List of Contributors | 331 |
Index | 337 |
Inne wydania - Wyświetl wszystko
The Pop Palimpsest: Intertextuality in Recorded Popular Music Lori Burns,Serge Lacasse Ograniczony podgląd - 2018 |
Kluczowe wyrazy i wyrażenia
2Pac album artists bass Beatles Blue borrowing Cale chord chorus compilations Compton context cover create cultural drum edited Electric Light Orchestra electronic elements ELO's Eminem Endos example fans figure Game gangsta rap gender Genette Genette's genres guitar solo Hallelujah hip-hop hypertextual hypotext identity idiolect interpretation intertextual intertextual references intratextual invariant properties Jay-Z Jeff Jeff Lynne Kanye West Lacasse Lamar Lennox lineage listeners Love Lynne Lynne's Marshall Mathers LP melody mix tape mono musicians Neil Young original Paris performance persona perspective phonogram play Popular Music practices produced quotation rappers recorded popular music relation relationship released remix riff rock music Rolling Stone sample sense Serge single song song's sonic sound specific Spicer stereo style stylistic textual theme theory timbre tion track tradition transformation tunes Tupac Shakur University Press vaudeville verse vocal voice