Obrazy na stronie
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If sentiment were sacrificed to sound,
And truth cut short to make a period round,
I judged a man of sense could scarce do worse
Than caper in the morris-dance of verse.

B. Thus reputation is a spur to wit,
And some wits flag through fear of losing it.
Give me the line that ploughs its stately course,
Like a proud swan, conquering the stream by
force;

That, like some cottage beauty, strikes the heart,
Quite unindebted to the tricks of art.
When labor and when dullness, club in hand,
Like the two figures at St. Dunstan's stand,
Beating alternately, in measured time,
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be;
But such mere quarter-strokes are not for me.
From him who rears a poem lank and long,
To him who strains his all into a song;
Perhaps some bonny Caledonian air,

All birks and braes, though he was never there;
Or, having whelp'd a prologue with great pains,
Feels himself spent, and fumbles for his brains;
A prologue interdash'd with many a stroke-
An art contriv'd to advertise a joke,
So that the jest is clearly to be seen,
Not in the words-but in the gap between;
Manner is all in all, whate'er is writ,
The substitute for genius, sense, and wit.

To dally much with subjects mean and low
Proves that the mind is weak, or makes it so.
Neglected talents rust into decay,
And every effort ends in pushpin play

The man that means success should soar above
A soldier's feather, or a lady's glove;
Else, summoning the muse to such a theme,
The fruit of all her labor is whipp'd cream.
As if an eagle flew aloft, and then-
Stoop'd from its highest pitch to pounce a wren.
As if the poet, purposing to wed,
Should carve himself a wife in gingerbread.

Ages elaps'd ere Homer's lamp appear'd,
And ages ere the Mantuan swan was heard;
To carry nature lengths unknown before,
To give a Milton birth, ask'd ages more.
Thus genius rose and set at order'd times,
And shot a day-spring into distant climes,
Ennobling every region that he chose;
He sunk in Greece, in Italy he rose;
And, tedious years of Gothic darkness pass'd,
Emerged all splendor in our isle at last.
Thus lovely halcyons dive into the main,
Then show far off their shining plumes again.

A. Is genius only found in epic lays? Prove this, and forfeit all pretence to praise. Make their heroic powers your own at once, Or candidly confess yourself a dunce.

B. These were the chief; each interval of
night

Was graced with many an undulating light.
In less illustrious bards his beauty shone
A meteor, or a star; in these, the sun.

The nightingale may claim the topmost bough,
While the poor grasshopper must chirp below.
Like him unnoticed. I. and such as I.
Spread little wings, and rather skip than fly;
Perch'd on the meagre produce of the land,
An ell or two of prospect we command;
But never peep beyond the thorny bound,
Or oaken fence, that hems the paddock round.
In Eden, ere yet innocence of heart
Had faded, poetry was not an art;

Language, above all teaching, or if taught,
Only by gratitude and glowing thought,
Elegant as simplicity, and warm
As ecstacy, unmanacled by form,
Not prompted, as in our degenerate days,
By low ambition and the thirst of praise,
Was natural as is the flowing stream,
And yet magnificent-a God the theme!
That theme on earth exhausted, though above
'Tis found as everlasting as his love,
Man lavish'd all his thoughts on human things-
The feats of heroes and the wrath of kings;
But still, while virtue kindled his delight,
The song was moral and so far was right.
'Twas thus till luxury seduced the mind
To joys less innocent, as less refined;
Then Genius danced a bacchanal; he crown'd
The brimming goblet, seized the thyrsus, bound
His brows with ivy, rush'd into the field
Of wild imagination, and there reel'd,
The victim of his own lascivious fires,
And. dizzy with delight, profaned the sacred

wires:

Anacreon, Horace, play'd in Greece and Rome
This bedlam part; and others nearer home.
When Cromwell fought for power, and while he
reign'd

The proud protector of the power he gain'd,
Religion, harsh, intolerant, austere,
Parent of manners like herself severe,
Drew a rough copy of the Christian face,
Without the smile, the sweetness, or the grace;
The dark and sullen humor of the time
Judged every effort of the muse a crime;
Verse, in the finest mould of fancy cast,
Was lumber in an age so void of taste.
But when the second Charles assumed the sway
And arts revived beneath a softer day,
Then, like a bow long forced into a curve,
The mind, released from too constrain'd a nerve
Flew to its first position with a spring.
That made the vaulted roofs of pleasure ring.
His court, the dissolute and hateful school
Of wantonness, where vice was taught by rule,
Swarm'd with a scribbling herd, as deep inlaid
With brutal lust as ever Circe made.
From these a long succession, in the rage
Of rank obscenity, debauch'd their age:
Nor ceased till, ever anxious to redress
The abuses of her sacred charge, the press,
The Muse instructed a well-nurtured train
Of abler votaries to cleanse the stain,
And claim the palm for purity of song,
That lewdness had usurp'd and worn so long.
Then decent pleasantry and sterling sense,
That neither gave nor would endure offence,
Whipp'd out of sight, with satire just and keen,
The puppy pack that had defiled the scene.

In front of these came Addison. In him
Humor in holiday and slightly trim,
Sublimity and Attic taste combined,
To polish, furnish, and delight the mind.
Then Pope, as harmony itself exact,
In verse well disciplined, complete, compact,
Gave virtue and morality a grace,
That, quite eclipsing pleasure's painted face,
Levied a tax of wonder and applause,
E'en on the fools that trampled on their laws.
But he (his musical finesse was such,
So nice his ear, so delicate his touch)
Made poetry a mere mechanic art;
And every warbler has his tune by heart.

Nature imparting her satiric gift,
Her serious mirth, to Arbuthnot and Swift,
With droll sobriety they raised a smile
At folly's cost, themselves unmoved the while
That constellation set, the world in vain
Must hope to look upon their like again.

A. Are we then left ?-B. Not wholly in the
dark;

Wit now and then, struck smartly, shows a spark,
Sufficient to redeem the modern race
From total night and absolute disgrace.
While servile trick and imitative knack
Confine the million in the beaten track,
Perhaps some courser who disdains the road,
Snuffs up the wind, and flings himself abroad.
Contemporaries all surpass'd, see one;
Short his career indeed, but ably run;
Churchill, himself unconscious of his powers,
In penury consumed his idle hours;

And, like a scatter'd seed at random sown,
Was left to spring by vigor of his own.
Lifted at length, by dignity of thought
And dint of genius, to an affluent lot,
He laid his head in luxury's soft lap,
And took, too often, there his easy nap.
If brighter beams than all he threw not forth,
'Twas negligence in him, not want of worth.
Surly and slovenly, and bold and coarse,
Too proud for art, and trusting in mere force,
Spendthrift alike of money and of wit,
Always at speed, and never drawing bit,
He struck the lyre in such a careless mood,
And so disdain'd the rules he understood,
The laurel seem'd to wait on his command;
He snatch'd it rudely from the muses' hand.
Nature, exerting an unwearied power,
Forms. opens. and gives scent to every flower:
Spreads the fresh verdure of the field, and leads
The dancing Naiads through the dewy meads;
She fills profuse ten thousand little throats
With music modulating all their notes;

Thus graced, the man asserts a poet's name,
And the world cheerfully admits the claim.
Pity Religion has so seldom found
A skilful guide into poetic ground! [stray.
The flowers would spring where'er she deign'd to
And every muse attend her in her way.
Virtue indeed meets many a rhyming friend,
And many a compliment politely penn'd;
But, unattired in that becoming vest
Religion weaves for her, and half undress'd,
Stands in the desert shivering and forlorn,
A wintry figure, like a wither'd thorn.
The shelves are full, all other themes are sped:
Hackney'd and worn to the last flimsy thread,
Satire has long since done his best; and curst
And loathsome ribaldry has done his worst;
Fancy has sported all her powers away
In tales, in trifles, and in children's play;
And 'tis the sad complaint, and almost true.
Whate'er we write, we bring forth nothing new.
"Twere new indeed to see a bard all fire. [lyre,
Touch'd with a coal from heaven, assume the
And tell the world, still kindling as he sung.
With more than mortal music on his tongue
That He, who died below, and reigns above,
Inspires the song, and that his name is Love,
For. after all, if merely to beguile.

By flowing numbers and a flowery style,
The tedium that the lazy rich endure.
Which now and then sweet poetry may cure;
Or. if to see the name of idol self.
[shelf,
Stamp'd on the well-bound quarto, grace the
To float a bubble on the breath of fame,
Prompt his endeavor and engage his aim,
Debased to servile purposes of pride.
How are the powers of genius misapplied!
The gift, whose office is the Giver's praise,
To trace him in his word, his works, his ways!
Then spread the rich discovery, and invite
Mankind to share in the divine delight:
Distorted from its use and just design,

And charms the woodland scenes and wilds un- To make the pitiful possessor shine,

known,

With artless airs and concerts of her own:
But seldom (as if fearful of expense)
Vouchsafes to man a poet's just pretence-
Fervency, freedom, fluency of thought,
Harmony, strength, words exquisitely sought;
Fancy, that from the bow that spans the sky
Brings colors, dipp'd in heaven, that never die;
A soul exalted above earth, a mind
Skill'd in the characters that form mankind;
And, as the sun, in rising beauty dress'd,
Looks to the westward from the dappled east,
And marks, whatever clouds may interpose,
Ere yet his race begins, its glorious close;
An eye like his to catch the distant goal;
Or, ere the wheels of verse begin to roll,
Like his to shed illuminating rays
On every scene and subject it surveys:

To purchase at the fool-frequented fair
Of vanity a wreath for self to wear,
Is profanation of the basest kind-
Proof of a trifling and a worthless mind.

A. Hail, Sternhold, then! and, Hopkins, hail!
-B. Amen.

If flattery, folly, lust, employ the pen;

If acrimony, slander, and abuse,
Give it a charge to blacken and traduce; [ease,
Though Butler's wit, Pope's numbers Prior's
With all that fancy can invent to please,
Adorn the polish'd periods as they fall.
One madrigal of theirs is worth them all

A. Twould thin the ranks of the poetic tribe,
To dash the pen through all that you proscribe.
B. No matter-we could shirt when they were
not;

And should, no doubt, if they were all forgot.

www

THE PROGRESS OF ERROR.

Si quid loquar audiendum. HoR. lib. iv. Od. 2.

THE ARGUMENT.

The world around solicits his desire,
And kindles in his soul a treacherous fire;

Origin of error-Man endowed with freedom of will-While, all his purposes and steps to guard,

Motives for action-Attractions of music-The chase

Those amusements not suited to the Clergy-Case of Occiduus-Force of example-Due observance of the Sabbath-Cards and dancing-The drunkard and the coxcomb-Folly and innocence-Hurtful pleasuresVirtuous pleasures-Effects of the inordinate indulgence of pleasure-Dangerous tendency of many works of imagination-Apostrophe to Lord Chesterfield-Our earliest years the most important-Fashionable education-The grand tour-Accomplishments have taken the place of virtue-Qualities requisite in a critic of the Bible-Power of the press-Solicitude of enthusiasm to make proselytes-Fondness of authors for their literary progeny-The blunderer impatient of contradiction-Moral faults and errors of the understanding reciprocally produce one another-The cup of pleasure to be tasted with caution-Force of habit-The wanderer from the right path directed to the Cross.

SING, muse, (if such a theme, so dark, so long,
May find a muse to grace it with a song),
By what unseen and unsuspected arts
The serpent Error twines round human hearts;
Tell where she lurks, beneath what flowery
shades,

That not a glimpse of genuine light pervades,
The poisonous, black, insinuating worm
Successfully conceals her loathsome form.
Take, if ye can, ye careless and supine,
Counsel and caution from a voice like mine!
Truths, that the theorist could never reach,
And observation taught me, I would teach.
Not all, whose eloquence the fancy fills,
Musical as the chime of tinkling rills,
Weak to perform, though mighty to pretend,
Can trace her mazy windings to their end;
Discern the fraud beneath the specious lure,
Prevent the danger, or prescribe the cure.
The clear harangue, and cold as it is clear,
Falls soporific on the listless ear;

Like quicksilver, the rhetoric they display
Shines as it runs, but, grasp'd at slips away.
Placed for his trial on this bustling stage,
From thoughtless youth to ruminating age,
Free in his will to choose or to refuse,
Man may improve the crisis or abuse;
Else, on the fatalist's unrighteous plan,
Say to what bar amenable were man?
With nought in charge he could betray no trust;
And, if he fell, would fall because he must:
If love reward him, or if vengeance strike,
His recompense in both unjust alike.
Divine authority within his breast
Brings every thought word action, to the test;
Warns him or prompts approves him or restrains,
As reason, or as passion, takes the reins.
Heaven from above, and conscience from within,
Cries in his startled ear-Abstain from sin!

Peace follows virtue as its sure reward;
And pleasure brings as surely in her train
Remorse and sorrow, and vindictive pain.

Man, thus endued with an elective voice,
Must be supplied with objects of his choice,
Where'er he turns, enjoyment and delight,
Or present or in prospect meet his sight:
Those open on the spot their honeyed store;
These call him loudly to pursuit of more.
His unexhausted mine the sordid vice
Avarice shows, and virtue is the price.
Here various motives his ambition raise-

Power, pomp, and splendor, and the thirst of praise;

There beauty wooes him with expanded arms; E'en bacchanalian madness has its charms.

Nor these alone, whose pleasures less refined Might well alarm the most unguarded mind, Seek to supplant his inexperienced youth, Or lead him devious from the path of truth; Hourly allurements on his passions press, Safe in themselves, but dangerous in the excess. Hark! how it floats upon the dewy air! O what a dying, dying close was there! 'Tis harmony, from yon sequester'd bower. Sweet harmony, that soothes the midnight hour! Long ere the charioteer of day had run His morning course the enchantment was begun; And he shall gild yon mountain's height again, Ere yet the pleasing toil becomes a pain

Is this the rugged path, the steep ascent, That virtue points to? Can a life thus spent Lead to the bliss she promises the wise, Detach the soul from earth, and speed her to the skies?

[bined,

Ye devotees to your adored employ,
Enthusiasts, drunk with an unreal joy,
Love makes the music of the blest above,
Heaven's harmony is universal love;
And earthly sounds, though sweet and well com-
And lenient as soft opiates to the mind,
Leave vice and folly unsubdued behind.
Grey dawn appears; the sportsman and his train
Speckle the bosom of the distant plain;
'Tis he, the Nimrod of the neighboring lairs;
Save that his scent is less acute than theirs,
For persevering chase, and headlong leaps,
True beagle as the stanchest hound he keeps.
Charged with the folly of his life's mad scene,
He takes offence, and wonders what you mean;
The joy the danger and the toil o`erpays-
"Tis exercise, and health, and length of days.
Again impetuous to the field he flies;
Leaps every fence but one, there falls and dies;

Like a slain deer, the tumbrel brings him home, Unmiss'd but by his dogs and by his groom.

Ye clergy, while your orbit is your place,
Lights of the world and stars of human race;
But, if eccentric ye forsake your sphere,
Prodigies ominous and view'd with fear:
The comet's baneful influence is a dream;
Yours real, and pernicious in the extreme.
What then! are appetites and lusts laid down
With the same ease that man puts on his gown?
Will avarice and concupiscence give place,
Charm'd by the sounds-Your Reverence, or
your Grace?

No. But his own engagement binds him fast;
Or, if it does not, brands him to the last
What atheists call him-a designing knave,
A mere church juggler, hypocrite and slave.
Oh, laugh or mourn with me the rueful jest,
A cassock'd huntsman and a fiddling priest!
He from Italian songsters takes his cue:
Set Paul to music, he shall quote him too.
He takes the field. The master of the pack
Cries-Well done, saint! and claps him on the
Is this the path of sanctity? Is this [back.
To stand a waymark on the road to bliss?
Himself a wanderer from the narrow way,
His silly sheep, what wonder if they stray?
Go, cast your orders at your bishop's feet,
Send your dishonor'd gown to Monmouth-street!
The sacred function in your hands is made-
Sad sacrilege-no function, but a trade!
Occiduus is a pastor of renown, [down,
When he has pray'd and preach'd the sabbath
With wire and catgut he concludes the day,
Quavering and semiquavering care away.
The full concerto swells upon your ear; [swear
All elbows shake. Look in, and you would
The Babylonian tyrant with a nod
Had summon'd them to serve his golden god.
So well that thought the employment seems to
suit,

Psaltery and sackbut, dulcimer and flute.
O fie! 'tis evangelical and pure:
Observe each face, how sober and demure!
Ecstacy sets her stamp on every mien;
Chins fallen, and not an eyeball to be seen.
Still I insist though music heretofore

Has charm'd me much (not e'en Occiduus more),
Love, joy, and peace make harmony more meet
For sabbath evenings, and perhaps as sweet.

Will not the sickliest sheep of every flock
Resort to this example as a rock;
There stand and justify the foul abuse
Of sabbath hours with plausible excuse;
If apostolic gravity be free

To play the fool on Sundays, why not we?
If he the tinkling harpsichord regards
As inoffensive, what offence in cards?
Strike up the fiddles, let us all be gay!
Laymen have leave to dance, if parsons play.
Ŏ Italy!-Thy sabbaths will be soon
Our sabbaths, closed with mummery and buffoon.
Preaching and pranks will share the motley

scene,

Ours parcelled out, as thine have ever been,
God's worship and the mountebanks between.
What says the prophet? Let that day be blest
With holiness and consecrated rest.
Pastime and business, both it should exclude,
And bar the door the moment they intrude;
Nobly distinguished above all the six

By deeds in which the world must never mix.

Here him again. He calls it a delight,
A day of luxury observed aright,
[guest,
When the glad soul is made Heaven's welcome
Sits banqueting, and God provides the feast.
But triflers are engaged and cannot come,
Their answer to the call is-Not at home.

O the dear pleasures of the velvet plain.
The painted tablets, dealt and dealt again!
Cards, with what rapture, and the polish'd die,
The yawning chasm of indolence supply!
Then to the dance, and make the sober moon
Witness of joys that shun the sight of noon.
Blame, cynic, if you can, quadrille or ball,
The snug close party, or the splendid hall,
Where Night, down stooping from her ebon
throne,

Views constellations brighter than her own.
"Tis innocent, and harmless, and refined,
The balm of care, Elysium of the mind.
Innocent! Oh, if venerable Time
Slain at the foot of Pleasure be no crime,
Then with his silver beard and magic wand.
Let Comus rise archbishop of the land;
Let him your rubric and your feasts prescribe,
Grand metropolitan of all the tribe.

Of manners rough, and coarse athletic cast,
The rank debauch suits Clodio's filthy taste.
Rufillus, exquisitely form'd by rule,
Not of the moral but the dancing school,
Wonders at Clodio's follies, in a tone
As tragical as others at his own.
He cannot drink five bottles, bilk the score,
Then kill a constable, and drink five more;
But he can draw a pattern, make a tart,
And has the ladies' etiquette by heart.
Go, fool; and, arm in arm with Clodio, plead
Your cause before a bar you little dread;
But know, the law that bids the drunkard die
Is far too just to pass the trifler by.
Both baby-featured, and of infant size,
View'd from a distance, and with heedless eyes,
Folly and innocence are so alike,

The difference, though essential, fails to strike
Yet Folly ever has a vacant stare,
A simpering countenance, and a trifling air;
But Innocence, sedate, serene, erect,
Delights us, by engaging our respect.
Man, Nature's guest by invitation sweet,
Receives from her both appetite and treat;
But, if he play the glutton and exceed,
His benefactress blushes at the deed.
For Nature, nice, as liberal to dispense.
Made nothing but a brute the slave of sense
Daniel ate pulse by choice-example rare!
Heaven bless'd the youth, and made him fresh
and fair.

Gorgonius sits, abdominous and wan,
Like a fat squab upon a Chinese fan:
He snuffs far off the anticipated joy;
Turtle and venison all his thoughts employ
Prepares for meals as jockeys take a sweat,
Oh, nauseous!—an emetic for a whet!
Will Providence o'erlook the wasted good!
Temperance were no virtue if he could.

That pleasures therefore, or what such we call,
Are hurtiul, is a truth confess'd by all.
And some, that seem to threaten virtue less
Still hurtful in the abuse, or by the excess.
Is man then only for his torment placed
The centre of delights he may not taste!
Like fabled Tantalus condemn'd to hear
The precious stream still purling in his ear,

Lip-deep in what he longs for, and yet curst
With prohibition and perpetual thirst?
No, wrangler-destitute of shame and sense,
The precept, that enjoins him abstinence,
Forbids hím none but the licentious joy,
Whose fruit, though fair, tempts only to destroy.
Remorse, the fatal egg by Pleasure laid
In every bosom where her nest is made,
Hatch'd by the beams of truth, denies him rest,
And proves a raging scorpion in his breast.
No pleasure? Are domestic comforts dead?
Are all the nameless sweets of friendship fled ?
Has time worn out, or fashion put to shame,
Good sense, good health, good conscience, and
good fame?

All these belong to virtue, and all prove
That virtue has a title to your love.
Have you no touch of pity, that the poor
Stand starved at your inhospitable door?
Or if yourself, too scantily supplied,
Need help, let honest industry provide.
Earn, if you want; if you abound, impart :
These both are pleasures to the feeling heart.
No pleasure? Has some sickly eastern waste
Sent us a wind to parch us at a blast?
Can British Paradíse no scenes afford
To please her sated and indifferent lord?
Are sweet philosophy's enjoyments run
Quite to the lees? And has religion none?
Brutes capable would tell you 'tis a lie,
And judge you from the kennel and the stye.
Delights like these, ye sensual and profane,
Ye are bid, begg'd, besought, to entertain;
Call'd to these crystal streams, do ye turn off
Obscene to swill and swallow at a trough?
Envy the beast, then, on whom Heaven bestows
Your pleasures, with no curses at the close.

Pleasure admitted in undue degree
Enslaves the will, nor leaves the judgment free.
"Tis not alone the grape's enticing juice
Unnerves the moral powers, and mars their use;
Ambition, avarice, and the lust of fame,
And woman, lovely woman, does the same.
The heart surrender'd to the ruling power
Of some ungovern'd passion every hour,
Finds by degrees the truths that once bore sway,
And all their deep impressions wear away;
So coin grows smooth, in traffic current pass'd,
Till Cæsar's image is effaced at last.

The breach, though small at first, soon opening wide,

In rushes folly with a full-moon tide,
Then welcome errors, of whatever size,
To justify it by a thousand lies.
As creeping ivy clings to wood or stone,
And hides the ruin that it feeds upon;
So sophistry cleaves close to and protects
Sin's rotten trunk, concealing its defects.
Mortals whose pleasures are their only care,
First wish to be imposed on, and then are.
And lest the fulsome artifice should fail,
Themselves will hide its coarseness with a veil.
Not more industrious are the just and true
To give to Virtue what is Virtue's due-
The praise of wisdom, comeliness, and worth,
And call her charms to public notice forth-
Than Vice's mean and disingenuous race
To hide the shocking features of her face.
Her form with dress and lotion they repair;
Then kiss their idol and pronounce her fair.
The sacred implement I now employ
Might prove a mischief, or at best a toy;

A trifle, if it move but to amuse;
But, if to wrong the judgment and abuse,
Worse than a poniard in the basest hand,
It stabs at once the morals of a land.

Ye writers of what none with safety reads, Footing it in the dance that Fancy leads; Ye novelists, who mar what ye would mend, Snivelling and drivelling folly without end; Whose corresponding misses fill the ream With sentimental frippery and dream, Caught in a delicate soft silken net By some lewd earl, or rake-hell baronet: Ye pimps, who, under virtue's fair pretence, Steal to the closet of young innocence, And teach her, inexperienced yet and green, To scribble as you scribbled at fifteen; Who, kindling a combustion of desire, With some cold moral think to quench the fire; Though all your engineering proves in vain The dribbling stream ne'er puts it out again: Oh that a verse had power, and could command Far, far away, these flesh-flies of the land, Who fasten without mercy on the fair, And suck, and leave a craving maggot there! Howe'er disguised the inflammatory tale, And cover'd with a fine-spun specious veil; Such writers, and such readers, owe the gust And relish of their pleasure all to lust.

But the muse, eagle-pinion'd, has in view A quarry more important still than you; Down, down the wind she swims, and sails away, Now stoops upon it, and now grasps the prey.

Petronius! all the muses weep for thee; But every tear shall scald thy memory: The graces too, while Virtue at their shrine Lay bleeding under that soft hand of thine, Felt each a mortal stab in her own breast, Abhorr'd the sacrifice, and cursed the priest Thou polish'd and high-finish'd foe to truth, Graybeard corrupter of our listening youth, To purge and skim away the filth of vice, That so refined it might the more entice, Then pour it on the morals of thy son, To taint his heart, was worthy of thine own! Now, while the poison all high life pervades. Write, if thou canst, one letter from the shades, One, and one only, charged with deep regret, That thy worst part, thy principles, live yet; One sad epistle thence may cure mankind Of the plague spread by bundles left behind.

'Tis granted, and no plainer truth appears Our most important are our earliest years; The mind, impressible and soft, with ease Imbibes and copies what she hears and sees, And through life's labyrinth holds fast the clue That Education gives her, false or true. Plants raised with tenderness are seldom strong; Man's coltish disposition asks the thong; And without discipline the favorite child, Like a neglected forester, runs wild. But we, as if good qualities would grow Spontaneous, take but little pains to sow: We give some Latin and a smatch of Greek; Teach him to fence and figure twice a week; And having done, we think, the best we can, Praise his proficiency, and dub him man.

From school to Cam or Isis, and thence home; And thence with all convenient speed to Rome, With reverend tutor clad in habit lay, To tease for cash and quarrel with all day; With memorandum book for every town, And every post, and where the chaise broke down;

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