Reading, Writing, and Romanticism: The Anxiety of ReceptionReading, Writing, and Romanticism bridges a perceived gulf between materialist and idealist approaches to the reader. Informed by an historical awareness of Romantic hermeneutics and its later developments (as well as by an understanding of the circumstances conditioning the production and consumption of literature in this period), the book examines how readers are imagined, addressed, figured and theorized in Romantic poetry and criticism (1790-1830). Models of canon-formation, intertextuality and reader-response are considered alongside the existence of reading-coteries, the social practices of reading, and reforms in copyright. Consideration is given to the philosophical and ideological influences which bear upon the status of reading at this time, as well as to the educational theories and practices which underpin reading habits. Non-canonical writers are included, and special attention is given to the emergence of women's poetry and its repercussions for the poetics of reception. |
Co mówią ludzie - Napisz recenzję
Nie znaleziono żadnych recenzji w standardowych lokalizacjach.
Spis treści
Authorship and the Public Sphere | 13 |
COLERIDGE | 49 |
Reading and Enchantment | 75 |
The Rhetoric of Mystery | 85 |
WORDSWORTH | 91 |
Ballads 1800 | 117 |
ANNA BARBAULD | 135 |
Interventions and Trespasses | 145 |
Attending Listening Sympathizing Identifying | 232 |
Barbauld and Jones | 248 |
THE FORMATION OF A SYSTEM | 263 |
Copyright and the Paradox of Romantic Authorship | 269 |
Posthumous Fame and the Place of Criticism | 280 |
CanonFormation Connectiveness and Recuperation | 289 |
REPETITION | 298 |
Hermeneutic | 311 |
The Reception of Eighteen Hundred and Eleven | 164 |
S COMPETITION AND COLLABORATION | 173 |
Hazlitt and the Defence of Criticism | 202 |
Envy Irony and the Rivalry of Genres | 215 |
FEMINIZING THE POETICS OF RECEPTION | 224 |
Women Readers and the Dangers of Sympathetic | 317 |
ANAMBIGUOUS | 333 |
372 | |
391 | |
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
activity addressed allowed anxiety appears argued associated attention audience Barbauld become century claims Coleridge Coleridge's concern connection contemporary continuity conversation creative criticism culture defence described discourse discussion early Education effect essay established fear feelings female figure friends genius give given hand Hazlitt hermeneutic human ideal ideas identification identity imagination implications important individual John kind language later Lectures less letter lines literary literature living London means Milton mind nature novels observed originality Oxford past periodical poem poet poet's poetic poetry political popular position possible practice Preface present produced prose published question quoted readers reading reception reflective relation respect response reviewers rhetoric role Romantic seen sense speaking spirit status style suggests sympathy taste theory thought tion tradition turn understanding University Press voice woman women Wordsworth writers