An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 148
... verse has a very sensible melody : that , on the other hand , of an Iambic , is extremely faint . This more perfect melody of articulate sounds , is what distinguisheth verse from prose . Verse is sub- jected to certain inflexible laws ...
... verse has a very sensible melody : that , on the other hand , of an Iambic , is extremely faint . This more perfect melody of articulate sounds , is what distinguisheth verse from prose . Verse is sub- jected to certain inflexible laws ...
Strona 149
... verse is a capital beauty ; but as it cannot be ex- pected that every line should be so perfect , the pause necessary for the sense must often be sacrificed to the verse pause , and the latter sometimes to the former . The pronouncing ...
... verse is a capital beauty ; but as it cannot be ex- pected that every line should be so perfect , the pause necessary for the sense must often be sacrificed to the verse pause , and the latter sometimes to the former . The pronouncing ...
Strona 160
... verse arise ? Where may the capital pause in a line fall ? With what should it coincide ? Give an example of its ... verse is mentioned ? From what lines should the capital pause be excluded ? Are accents confined to a certain number ...
... verse arise ? Where may the capital pause in a line fall ? With what should it coincide ? Give an example of its ... verse is mentioned ? From what lines should the capital pause be excluded ? Are accents confined to a certain number ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers