An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 247
... tragedy : and , by proper representation , may be raised to a height scarce ex- ceeded by any thing felt in real life . A moral tragedy takes in a larger field ; as it not only exercises our pity , but raises another passion , which ...
... tragedy : and , by proper representation , may be raised to a height scarce ex- ceeded by any thing felt in real life . A moral tragedy takes in a larger field ; as it not only exercises our pity , but raises another passion , which ...
Strona 248
... tragedy . The first proposition is , That it being the province of tragedy to excite pity and terror , an innocent person falling into adversity ought never to be the subject . This proposition is a necessary consequence of his doc ...
... tragedy . The first proposition is , That it being the province of tragedy to excite pity and terror , an innocent person falling into adversity ought never to be the subject . This proposition is a necessary consequence of his doc ...
Strona 264
... tragedy ? —what of epic poetry ? What is the subject best fitted for tragedy ? -why ? Why does not an accidental misfortune greatly move our pity ? What is the happiest of all subjects for raising pity ? What passion does a pathetic tragedy ...
... tragedy ? —what of epic poetry ? What is the subject best fitted for tragedy ? -why ? Why does not an accidental misfortune greatly move our pity ? What is the happiest of all subjects for raising pity ? What passion does a pathetic tragedy ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers