An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 31
... tion and a passion , and their causes unfolded . Great obscurity may be observed among writers with regard to the present point ; particularly , no care is taken to distinguish agreeable from pleasant , disa- greeable from painful ; or ...
... tion and a passion , and their causes unfolded . Great obscurity may be observed among writers with regard to the present point ; particularly , no care is taken to distinguish agreeable from pleasant , disa- greeable from painful ; or ...
Strona 128
... tion ; and even then by starts and intervals only . Shakspeare's soliloquies may be justly established as a model ; for it is not easy to conceive any model more perfect . Corneille is not more happy in his soliloquies than it his ...
... tion ; and even then by starts and intervals only . Shakspeare's soliloquies may be justly established as a model ; for it is not easy to conceive any model more perfect . Corneille is not more happy in his soliloquies than it his ...
Strona 233
... tion , for example , is imitated by words pronounced slow labor , or toil , by words harsh or rough in their sound . But this subject has been already handled . * Montaigne , reflecting upon the then present modes , observes that there ...
... tion , for example , is imitated by words pronounced slow labor , or toil , by words harsh or rough in their sound . But this subject has been already handled . * Montaigne , reflecting upon the then present modes , observes that there ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers