An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 75
... succession ; but the succession ought neither to be rapid , nor immoderately slow : if too slow , the effect of contrast becomes faint by the distance of the emo- tions ; and if rapid , no single emotion has room to expand itself to its ...
... succession ; but the succession ought neither to be rapid , nor immoderately slow : if too slow , the effect of contrast becomes faint by the distance of the emo- tions ; and if rapid , no single emotion has room to expand itself to its ...
Strona 77
... succession are these : one man is distinguished from another , by no circumstance more remarkably , than his train of perceptions : to a cold languid temper belongs a slow course of perceptions , which occasions dullness of apprehension ...
... succession are these : one man is distinguished from another , by no circumstance more remarkably , than his train of perceptions : to a cold languid temper belongs a slow course of perceptions , which occasions dullness of apprehension ...
Strona 145
... succession , an emotion is sometimes raised similar to that caused by successive motion ; as walk- ing , galloping , running , can be imitated by a succession of long or short syllables , or by a due mixture of both . For example , slow ...
... succession , an emotion is sometimes raised similar to that caused by successive motion ; as walk- ing , galloping , running , can be imitated by a succession of long or short syllables , or by a due mixture of both . For example , slow ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers