An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 39
... single act : a general end , on the contrary , admits acts with- out number ; because it cannot be said , that a general end is ever fully accomplished while the object of the passion subsists . Gratitude and revenge are examples of the ...
... single act : a general end , on the contrary , admits acts with- out number ; because it cannot be said , that a general end is ever fully accomplished while the object of the passion subsists . Gratitude and revenge are examples of the ...
Strona 68
... single object . Again , where objects , whether coexistent or in succession , are sufficiently diversified , the pleasure of variety is complete , though every single object of the train be familiar ; but the pleasure of novelty ...
... single object . Again , where objects , whether coexistent or in succession , are sufficiently diversified , the pleasure of variety is complete , though every single object of the train be familiar ; but the pleasure of novelty ...
Strona 81
... single object ; they imply a plurality , and signify a particular relation between different objects ; and the perception we have of this relation , proceeds from a sense of congruity or propriety ; that congruity or propriety ...
... single object ; they imply a plurality , and signify a particular relation between different objects ; and the perception we have of this relation , proceeds from a sense of congruity or propriety ; that congruity or propriety ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers