An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 150
... short and five long ; from which there are but two exceptions , both of them rare . The first is , where each line ... short . The English language abounds in long and short syllables in words of 150 ELEMENTS OF CRITICISM .
... short and five long ; from which there are but two exceptions , both of them rare . The first is , where each line ... short . The English language abounds in long and short syllables in words of 150 ELEMENTS OF CRITICISM .
Strona 152
... short , and it reduces the melody almost to nothing . The great variety of melody conspicuous in English verse , arises chiefly from the pauses and accents , which are of greater importance than is commonly thought . The pause , which ...
... short , and it reduces the melody almost to nothing . The great variety of melody conspicuous in English verse , arises chiefly from the pauses and accents , which are of greater importance than is commonly thought . The pause , which ...
Strona 153
... short or a long syllable . The other in its variety imitates the capital pause in some lines it comes after the 6th , in some after the 7th , and in some after the 8th syllable . In Hexameter verse , a full pause ought never t divide a ...
... short or a long syllable . The other in its variety imitates the capital pause in some lines it comes after the 6th , in some after the 7th , and in some after the 8th syllable . In Hexameter verse , a full pause ought never t divide a ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers