An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 149
... sense and of melody , it may be affirmed that their coincidence in verse is a capital beauty ; but as it cannot be ex- pected that every line should be so perfect , the pause necessary for the sense must often be sacrificed to the verse ...
... sense and of melody , it may be affirmed that their coincidence in verse is a capital beauty ; but as it cannot be ex- pected that every line should be so perfect , the pause necessary for the sense must often be sacrificed to the verse ...
Strona 153
... sense ; and if the sense require but a comma after the fourth , fifth , sixth , or seventh syllable , it is sufficient for the musical pause . But to make such coincidence essen- tial , would cramp versification too much ; and we have ...
... sense ; and if the sense require but a comma after the fourth , fifth , sixth , or seventh syllable , it is sufficient for the musical pause . But to make such coincidence essen- tial , would cramp versification too much ; and we have ...
Strona 156
... sense , but at the end of a couplet ; and there ought always to be some pause in the sense at the end of every couplet : the same period , as to sense , may be extended through several couplets ; but each couplet ought to contain a ...
... sense , but at the end of a couplet ; and there ought always to be some pause in the sense at the end of every couplet : the same period , as to sense , may be extended through several couplets ; but each couplet ought to contain a ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers