An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 66
... require no explanation . We are placed here in such circumstances as to make industry essential to our well - being ... requires activity and a constant exertion of motion and force , Providence indulgently provides for our welfare by ...
... require no explanation . We are placed here in such circumstances as to make industry essential to our well - being ... requires activity and a constant exertion of motion and force , Providence indulgently provides for our welfare by ...
Strona 137
... requiring more than one ; which is joining in language things that are separated in reality . To crowd into a single ... requires that in describing two resembling objects , a resemblance in the two members of the period ought to be ...
... requiring more than one ; which is joining in language things that are separated in reality . To crowd into a single ... requires that in describing two resembling objects , a resemblance in the two members of the period ought to be ...
Strona 153
... require but a comma after the fourth , fifth , sixth , or seventh syllable , it is sufficient for the musical pause ... requires none . We must not , however , imagine that a musical pause may come after any word indifferently : some ...
... require but a comma after the fourth , fifth , sixth , or seventh syllable , it is sufficient for the musical pause ... requires none . We must not , however , imagine that a musical pause may come after any word indifferently : some ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers