An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 248
... represented . It excites neither terror nor compassion , nor is agreeable in any respect . The third is , That the misfortunes of a wicked person ought not to be represented . Such representation may be agreeable in some measure , upon ...
... represented . It excites neither terror nor compassion , nor is agreeable in any respect . The third is , That the misfortunes of a wicked person ought not to be represented . Such representation may be agreeable in some measure , upon ...
Strona 261
... represented on the stage . While the dialogue goes on , a thousand par- ticulars concur to delude us into an impression of re- ality ; genuine sentiments , passionate language , and persuasive gesture : the spectator , once engaged , is ...
... represented on the stage . While the dialogue goes on , a thousand par- ticulars concur to delude us into an impression of re- ality ; genuine sentiments , passionate language , and persuasive gesture : the spectator , once engaged , is ...
Strona 269
... represented , unless it be limited , as its representation is , to one . place and to a few hours ; and therefore that it can admit no fable but what has these properties ; because it would be absurd to compose a piece for represent ...
... represented , unless it be limited , as its representation is , to one . place and to a few hours ; and therefore that it can admit no fable but what has these properties ; because it would be absurd to compose a piece for represent ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers