An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
Z wnętrza książki
Wyniki 1 - 3 z 32
Strona 79
... reader languishes by a tiresome monotony of character , every person engaged being figured a consummate politician ... reader incessantly from story to story . Ariosto is still more fatiguing than Ovid , by exceeding the just bounds of ...
... reader languishes by a tiresome monotony of character , every person engaged being figured a consummate politician ... reader incessantly from story to story . Ariosto is still more fatiguing than Ovid , by exceeding the just bounds of ...
Strona 80
... reader , intent on the catastrophe , is suddenly snatched away to a new story , which makes no im- pression so long as the mind is occupied with the for- mer . This tantalizing method , besides its uniformity , prevents that sympathy ...
... reader , intent on the catastrophe , is suddenly snatched away to a new story , which makes no im- pression so long as the mind is occupied with the for- mer . This tantalizing method , besides its uniformity , prevents that sympathy ...
Strona 224
... reader is out of breath at the very first pe- riod ; which seems never to end . Burnet begins the History of his Own Times with a period long and in- tricate . A third rule or observation is , That where the sub- ject is intended for ...
... reader is out of breath at the very first pe- riod ; which seems never to end . Burnet begins the History of his Own Times with a period long and in- tricate . A third rule or observation is , That where the sub- ject is intended for ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
Nie pokazano 11 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers