An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 52
... proportion , it is in some instances connected with a useful end , as in animals , where the best proportioned are the strongest and most active ; but instances are still more numerous , where the proportions we relish have no connexion ...
... proportion , it is in some instances connected with a useful end , as in animals , where the best proportioned are the strongest and most active ; but instances are still more numerous , where the proportions we relish have no connexion ...
Strona 53
... proportion of its sides : a great inequality of sides annihilates its beauty . Approximation towards equality hath the same effect ; for proportion there degenerates into imperfect uniformity , and the figure appears an unsuccessful ...
... proportion of its sides : a great inequality of sides annihilates its beauty . Approximation towards equality hath the same effect ; for proportion there degenerates into imperfect uniformity , and the figure appears an unsuccessful ...
Strona 285
... Proportion of parts is not only itself a beauty , but is inseparably connected with a beauty of the highest relish , that of concord or harmony ; which will be plain from what follows . A room of which the parts are all finely adjusted ...
... Proportion of parts is not only itself a beauty , but is inseparably connected with a beauty of the highest relish , that of concord or harmony ; which will be plain from what follows . A room of which the parts are all finely adjusted ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers