An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona vii
... principles of the fine arts . The man who aspires to be a critic in these arts , must pierce still deeper : he must acquire a clear perception of what objects are lofty , what low , what proper or improper , what manly , and what mean ...
... principles of the fine arts . The man who aspires to be a critic in these arts , must pierce still deeper : he must acquire a clear perception of what objects are lofty , what low , what proper or improper , what manly , and what mean ...
Strona x
... principles of the fine arts ; and the au- thor assumes no merit from his performance , but that of evincing , perhaps more distinctly than hitherto has been done , that these principles , as well as every just rule of criticism , are ...
... principles of the fine arts ; and the au- thor assumes no merit from his performance , but that of evincing , perhaps more distinctly than hitherto has been done , that these principles , as well as every just rule of criticism , are ...
Strona 181
... principle . How is the improper introduction of similies ridiculed in the Rehearsal ? What is the effect of a faint ... principles formerly explained , I gladly embrace the opportunity to show the influence of these principles where it ...
... principle . How is the improper introduction of similies ridiculed in the Rehearsal ? What is the effect of a faint ... principles formerly explained , I gladly embrace the opportunity to show the influence of these principles where it ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers