An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 14
... pleasure as well as facility in passing from a whole to its parts , from a subject to its ornaments . Elevation touches the mind , which , in rising to elevated objects , derives pleasure . The course of nature has a greater influ- ence ...
... pleasure as well as facility in passing from a whole to its parts , from a subject to its ornaments . Elevation touches the mind , which , in rising to elevated objects , derives pleasure . The course of nature has a greater influ- ence ...
Strona 17
... pleasure , than if given out of charity to relieve a virtuous family in want . Actions are qualified by intention , not by the event . Human actions are perceived to be right or wrong , and that perception qualifies the pleasure or pain ...
... pleasure , than if given out of charity to relieve a virtuous family in want . Actions are qualified by intention , not by the event . Human actions are perceived to be right or wrong , and that perception qualifies the pleasure or pain ...
Strona 34
... pleasure or pain of one passion differs from that of another , as of revenge gratified from that of love . In discerning different sweets , sours , bitters ; honey is never mista- ken for sugar ; and we distinguish smells in flowers ...
... pleasure or pain of one passion differs from that of another , as of revenge gratified from that of love . In discerning different sweets , sours , bitters ; honey is never mista- ken for sugar ; and we distinguish smells in flowers ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers