An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 186
... personified ; but such personification rests upon imagination merely , not upon conviction . Thus , to explain the effects of slander , it is imagined to be a voluntary agent . No , ' tis Slander ; Whose edge is sharper than the sword ...
... personified ; but such personification rests upon imagination merely , not upon conviction . Thus , to explain the effects of slander , it is imagined to be a voluntary agent . No , ' tis Slander ; Whose edge is sharper than the sword ...
Strona 190
... personification is at any rate a bold figure , and ought to be employed with great reserve . The passion of love , for example , in a plaintive tone , may give a momentary life to woods and rocks , in or- der to make them sensible of ...
... personification is at any rate a bold figure , and ought to be employed with great reserve . The passion of love , for example , in a plaintive tone , may give a momentary life to woods and rocks , in or- der to make them sensible of ...
Strona 196
... personification abound ? Why are abstract terms personified in poetry ? Give examples . Is passionate personification promoted by every passion ? What passions are averse to it ? What speech is disapproved , on this ground ? To what ...
... personification abound ? Why are abstract terms personified in poetry ? Give examples . Is passionate personification promoted by every passion ? What passions are averse to it ? What speech is disapproved , on this ground ? To what ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers