An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 134
... period . Periods may be constructed to ascend , or to descend , in musical harmony . The rising series , or a strong impulse succeeding a weak , makes double im- pression on the mind ; the falling series , or a weak im- pulse succeeding ...
... period . Periods may be constructed to ascend , or to descend , in musical harmony . The rising series , or a strong impulse succeeding a weak , makes double im- pression on the mind ; the falling series , or a weak im- pulse succeeding ...
Strona 137
... periods of time . This rule of studying uniformity between the thought and expression , may be extended to the construction of sentences or periods . A sentence or period ought to express one entire thought or mental proposition ; and ...
... periods of time . This rule of studying uniformity between the thought and expression , may be extended to the construction of sentences or periods . A sentence or period ought to express one entire thought or mental proposition ; and ...
Strona 143
... period , or near the beginning , the transition from it to the principal subject is agreeable : it is like ascending , or going upward . On the other hand , to place it late in the period has a bad effect . Example . - And Philip the ...
... period , or near the beginning , the transition from it to the principal subject is agreeable : it is like ascending , or going upward . On the other hand , to place it late in the period has a bad effect . Example . - And Philip the ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers