An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 53
... perfect order they are susceptible of ; but this order is obscure , and far from being so perfect as the parallelism of the sides of a square . Thus order contributes to the beauty of visible objects , no less than simplicity ...
... perfect order they are susceptible of ; but this order is obscure , and far from being so perfect as the parallelism of the sides of a square . Thus order contributes to the beauty of visible objects , no less than simplicity ...
Strona 126
... perfect between his sentiments and his diction . If upon any occasion he fall below himself , it is in those scenes where pas- sion enters not : by endeavoring to raise his dialogue above the style of ordinary conversation , he ...
... perfect between his sentiments and his diction . If upon any occasion he fall below himself , it is in those scenes where pas- sion enters not : by endeavoring to raise his dialogue above the style of ordinary conversation , he ...
Strona 250
... perfect character suffering under misfortunes is qualified for being the subject of a pa- thetic tragedy , provided chance be excluded . Nor is a perfect character altogether inconsistent with a moral tragedy ; it may successfully be ...
... perfect character suffering under misfortunes is qualified for being the subject of a pa- thetic tragedy , provided chance be excluded . Nor is a perfect character altogether inconsistent with a moral tragedy ; it may successfully be ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers