An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 152
... pause , which paves the way to the accent , offers itself first to our examination ; and from a very short trial , the following facts will be verified : 1st . A line admits but one capital pause . 2d . In different lines , we find this ...
... pause , which paves the way to the accent , offers itself first to our examination ; and from a very short trial , the following facts will be verified : 1st . A line admits but one capital pause . 2d . In different lines , we find this ...
Strona 153
... pause ought never t divide a word : such license deviates too far from the coincidence that ought to be between the pauses of sense and melody . The same rule is not applicable to a semi - pause , which , being short and faint , is not ...
... pause ought never t divide a word : such license deviates too far from the coincidence that ought to be between the pauses of sense and melody . The same rule is not applicable to a semi - pause , which , being short and faint , is not ...
Strona 160
... pause ? Does it apply to the semi - pause ? May there be a pause in the melody where the sense requires none ? May a musical pause come after any word indifferently ? What effect have accents ? What is the effect of placing an accent on ...
... pause ? Does it apply to the semi - pause ? May there be a pause in the melody where the sense requires none ? May a musical pause come after any word indifferently ? What effect have accents ? What is the effect of placing an accent on ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers