An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
Z wnętrza książki
Wyniki 1 - 3 z 54
Strona 210
... observed , that a simile cannot be agreeable where the resemblance is either too strong or too faint . This holds equally in metaphor and allegory ; and the reason is the same in all . In the following instances , the resemblance is too ...
... observed , that a simile cannot be agreeable where the resemblance is either too strong or too faint . This holds equally in metaphor and allegory ; and the reason is the same in all . In the following instances , the resemblance is too ...
Strona 264
... observe his own rule ? What is the effect of too frequent introduction of the gods ? What author successfully ridicules the modern use of the heathen mythology ? What is the effect of allegory ? What caution should be observed in using ...
... observe his own rule ? What is the effect of too frequent introduction of the gods ? What author successfully ridicules the modern use of the heathen mythology ? What is the effect of allegory ? What caution should be observed in using ...
Strona 293
... observed of the gardens of Versailles ? Where should regularity be studied , and where should it not be studied ? How should trees be disposed ? What is observed of the star form ? How should thickets be disposed ? What is the rule in ...
... observed of the gardens of Versailles ? Where should regularity be studied , and where should it not be studied ? How should trees be disposed ? What is observed of the star form ? How should thickets be disposed ? What is the rule in ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
Nie pokazano 11 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers