An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 207
... metaphor ; and what I would choose to call a figure of speech differs from both . I proceed to explain these differences . A metaphor is defined above to be an act of the imagination , figuring one thing to be another . An allegory ...
... metaphor ; and what I would choose to call a figure of speech differs from both . I proceed to explain these differences . A metaphor is defined above to be an act of the imagination , figuring one thing to be another . An allegory ...
Strona 211
... metaphor ; or made to represent the other , as in an allegory . Thirdly , These figures , a metaphor especially , ought not to be crowded with many minute circumstances ; for in that case it is scarcely possible to avoid obscu- rity . A ...
... metaphor ; or made to represent the other , as in an allegory . Thirdly , These figures , a metaphor especially , ought not to be crowded with many minute circumstances ; for in that case it is scarcely possible to avoid obscu- rity . A ...
Strona 213
... metaphorical and natural expression , so as that the period must be understood in part metaphorically , in part literally ; for the imagination cannot follow with sufficient ease changes so sudden and unprepared . A metaphor begun and ...
... metaphorical and natural expression , so as that the period must be understood in part metaphorically , in part literally ; for the imagination cannot follow with sufficient ease changes so sudden and unprepared . A metaphor begun and ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers