An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 28
... Lively and accurate description raises in us ideas no less distinct than if we had been origin- ally spectators . Slight and superficial narrative pro- duces faint and incomplete ideas , of which conception makes no part . Past time ...
... Lively and accurate description raises in us ideas no less distinct than if we had been origin- ally spectators . Slight and superficial narrative pro- duces faint and incomplete ideas , of which conception makes no part . Past time ...
Strona 82
... lively sense of pro- priety ; when we find the contrary , our sense of im- propriety is no less lively . Hence the universal dis- taste of affectation , which consists in making a show 82 ELEMENTS OF CRITICISM .
... lively sense of pro- priety ; when we find the contrary , our sense of im- propriety is no less lively . Hence the universal dis- taste of affectation , which consists in making a show 82 ELEMENTS OF CRITICISM .
Strona 88
... lively , and readily apprehended : a strained elevation , soaring above an ordinary reach of fancy , makes not a plea- sant impression : the reader , fatigued with being al- ways upon the stretch , is soon disgusted : and if he ...
... lively , and readily apprehended : a strained elevation , soaring above an ordinary reach of fancy , makes not a plea- sant impression : the reader , fatigued with being al- ways upon the stretch , is soon disgusted : and if he ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers