An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 25
... less vigorous than self - love , is less apt to communicate itself to the friend's children or other relations . There are , however , instances of this . The more slight and transitory relations are not fa- vorable to the communication ...
... less vigorous than self - love , is less apt to communicate itself to the friend's children or other relations . There are , however , instances of this . The more slight and transitory relations are not fa- vorable to the communication ...
Strona 52
... less accurate and less agreeable . With respect to the beauty of figures , we confine ourselves to the simplest . A circle and a square are cast perfectly regular ; yet a square is less beautiful than a circle , because a circle is a ...
... less accurate and less agreeable . With respect to the beauty of figures , we confine ourselves to the simplest . A circle and a square are cast perfectly regular ; yet a square is less beautiful than a circle , because a circle is a ...
Strona 56
... less so ; and the bulk of objects in a natural landscape are beautiful ; some of them are even grand , as a flowing river , a spreading oak , an extended plain , which all raise emotions of grandeur . We range at large amidst the ...
... less so ; and the bulk of objects in a natural landscape are beautiful ; some of them are even grand , as a flowing river , a spreading oak , an extended plain , which all raise emotions of grandeur . We range at large amidst the ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers