An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
Z wnętrza książki
Wyniki 1 - 3 z 55
Strona vi
... Language of Passion .. 18. Beauty of Language .. 105 123 133 Sect . 1. Beauty of Language with respect to Sound .... 2. Beauty of Language with respect to Significa- tion ... 3. Beauty of Language from a resemblance between Sound and ...
... Language of Passion .. 18. Beauty of Language .. 105 123 133 Sect . 1. Beauty of Language with respect to Sound .... 2. Beauty of Language with respect to Significa- tion ... 3. Beauty of Language from a resemblance between Sound and ...
Strona 133
... language resembles these last , and like them copies but little from nature . The beauty of language arises from its power of expressing thought ; the beauty of ... Language with respect to Sound Beauty of Language with respect to Significa-
... language resembles these last , and like them copies but little from nature . The beauty of language arises from its power of expressing thought ; the beauty of ... Language with respect to Sound Beauty of Language with respect to Significa-
Strona 135
... language , it is a rule that perspicuity ought not to be sacrificed to any other beauty whatever : if it should be doubted whether perspicuity be a positive beauty , it cannot be doubted that the want of it is the greatest defect ...
... language , it is a rule that perspicuity ought not to be sacrificed to any other beauty whatever : if it should be doubted whether perspicuity be a positive beauty , it cannot be doubted that the want of it is the greatest defect ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
Nie pokazano 11 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers