An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 185
... imagination . The inanimate object is imagined to be a sensible being , but without any conviction , even for a moment , that it really is so . Ideas , or fictions of imagination , have power to raise emotions in the mind ; and when any ...
... imagination . The inanimate object is imagined to be a sensible being , but without any conviction , even for a moment , that it really is so . Ideas , or fictions of imagination , have power to raise emotions in the mind ; and when any ...
Strona 186
... imagination is so lively and active , that its images are raised with very little effort ; and this jus- tifies the ... imagination , abstract terms are fre- quently personified ; but such personification rests upon imagination merely ...
... imagination is so lively and active , that its images are raised with very little effort ; and this jus- tifies the ... imagination , abstract terms are fre- quently personified ; but such personification rests upon imagination merely ...
Strona 213
... imagination is put on such hard duty , its images are too faint to produce any good effect . In the last place , It is still worse to jumble together metaphorical and natural expression , so as that the period must be understood in part ...
... imagination is put on such hard duty , its images are too faint to produce any good effect . In the last place , It is still worse to jumble together metaphorical and natural expression , so as that the period must be understood in part ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers