An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 78
... greater variety of natural objects , than of objects in a picture ; and a greater variety in a picture than in a description . A real object presented to view , makes an impression more readily than when represented in colors , and much ...
... greater variety of natural objects , than of objects in a picture ; and a greater variety in a picture than in a description . A real object presented to view , makes an impression more readily than when represented in colors , and much ...
Strona 143
... greater relish for matters of importance . When a circumstance is placed at the beginning of the period , or near the beginning , the transition from it to the principal subject is agreeable : it is like ascending , or going upward . On ...
... greater relish for matters of importance . When a circumstance is placed at the beginning of the period , or near the beginning , the transition from it to the principal subject is agreeable : it is like ascending , or going upward . On ...
Strona 274
... greater unity of action , the Æneid or Iliad ? What defect in the plan of the Iliad is pointed out ? -in the Or- lando Furioso ? What license is used by romance writers ? Give an example . What is required in the several scenes of a ...
... greater unity of action , the Æneid or Iliad ? What defect in the plan of the Iliad is pointed out ? -in the Or- lando Furioso ? What license is used by romance writers ? Give an example . What is required in the several scenes of a ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers