An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 21
... former distress ; an emotion of sorrow , upon being deprived of any good , is increased by contrast , when we reflect upon our former happiness . Jaffier . There's not a wretch who lives on common charity But's happier than me . For I ...
... former distress ; an emotion of sorrow , upon being deprived of any good , is increased by contrast , when we reflect upon our former happiness . Jaffier . There's not a wretch who lives on common charity But's happier than me . For I ...
Strona 177
... former , by its faintness of resemblance , has no effect but to load the narration with an useless image . The next error is a capital one . In an epic poem , or in a poem upon an elevated subject , a writer ought to avoid raising a ...
... former , by its faintness of resemblance , has no effect but to load the narration with an useless image . The next error is a capital one . In an epic poem , or in a poem upon an elevated subject , a writer ought to avoid raising a ...
Strona 196
... former , are derived from the same principle . If , to humor a plaintive passion , we can bestow a momentary sensibility upon an inanimate object , it is not more difficult to bestow a momentary presence upon a sensible being who is ...
... former , are derived from the same principle . If , to humor a plaintive passion , we can bestow a momentary sensibility upon an inanimate object , it is not more difficult to bestow a momentary presence upon a sensible being who is ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers