An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 64
... Force . MOTION is agreeable to the eye ; yet is a body at rest not disagreeable , because the bulk of things we see ... force ; but it makes not the thing either agreeable or disagreeable , to see force exerted upon it . Though motion ...
... Force . MOTION is agreeable to the eye ; yet is a body at rest not disagreeable , because the bulk of things we see ... force ; but it makes not the thing either agreeable or disagreeable , to see force exerted upon it . Though motion ...
Strona 65
... force exerted , re- sembling also its cause , is felt as if force were exerted within the mind . When great force is exerted , the effort felt is ani- mating ; and when the effort overpowers the mind , as the explosion of gunpowder ...
... force exerted , re- sembling also its cause , is felt as if force were exerted within the mind . When great force is exerted , the effort felt is ani- mating ; and when the effort overpowers the mind , as the explosion of gunpowder ...
Strona 66
... force , were it not so evident as to require no explanation . We are placed here in such circumstances as to make industry essential to our well - being ; for without industry the plainest ne- cessaries of life are not obtained . When ...
... force , were it not so evident as to require no explanation . We are placed here in such circumstances as to make industry essential to our well - being ; for without industry the plainest ne- cessaries of life are not obtained . When ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers