An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
Z wnętrza książki
Wyniki 1 - 3 z 25
Strona 245
... event ought to be admitted ; for the necessary or probable connexion between vice and misery is not learned from any events , but what are naturally occasioned by the characters and passions of the persons represented , acting in such ...
... event ought to be admitted ; for the necessary or probable connexion between vice and misery is not learned from any events , but what are naturally occasioned by the characters and passions of the persons represented , acting in such ...
Strona 266
... event : the prosecution of that plan , and the obstructions , carry the reader into the heat of action : the middle is properly where the action is the most involved ; and the end is where the event is brought about , and the plan ...
... event : the prosecution of that plan , and the obstructions , carry the reader into the heat of action : the middle is properly where the action is the most involved ; and the end is where the event is brought about , and the plan ...
Strona 268
... event , by advancing or re- tarding it . A scene that produceth no incident , and for that reason may be termed barren , ought not to be indulged , because it breaks the unity of action : a bar- ren scene can never be entitled to a ...
... event , by advancing or re- tarding it . A scene that produceth no incident , and for that reason may be termed barren , ought not to be indulged , because it breaks the unity of action : a bar- ren scene can never be entitled to a ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
Nie pokazano 11 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers