An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 13
... equally welcome . Hence wit is incompatible with a solid judgment . Memory and wit are often conjoined ; solid judgment seldom with either . There is order as well as connexion in the succes- sion of our ideas . The principle of order ...
... equally welcome . Hence wit is incompatible with a solid judgment . Memory and wit are often conjoined ; solid judgment seldom with either . There is order as well as connexion in the succes- sion of our ideas . The principle of order ...
Strona 134
... equally so . SECTION II . - The Beauty of Language with respect to Signification . The present subject divides itself into parts ; and what follows suggests a division into two parts . In every period , two things are to be regarded ...
... equally so . SECTION II . - The Beauty of Language with respect to Signification . The present subject divides itself into parts ; and what follows suggests a division into two parts . In every period , two things are to be regarded ...
Strona 264
... equally fitted for epic or for dramatic com- position ? For which is dialogue better qualified ? For which is narrative ? What is peculiarly the province of tragedy ? —what of epic poetry ? What is the subject best fitted for tragedy ...
... equally fitted for epic or for dramatic com- position ? For which is dialogue better qualified ? For which is narrative ? What is peculiarly the province of tragedy ? —what of epic poetry ? What is the subject best fitted for tragedy ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers