An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 252
... epic poem ought to resemble a sentence or period in language , divided into members that are distinguished from each other by proper pauses ; or it ought to resemble a piece of music , having a full close at the end , preceded by ...
... epic poem ought to resemble a sentence or period in language , divided into members that are distinguished from each other by proper pauses ; or it ought to resemble a piece of music , having a full close at the end , preceded by ...
Strona 253
... epic poem ; and Boileau , * with many other critics , declares strongly for that sort of machinery in an epic poem . But waiving authority , which is apt to impose upon the judgment , let us draw what light we can from reason . I begin ...
... epic poem ; and Boileau , * with many other critics , declares strongly for that sort of machinery in an epic poem . But waiving authority , which is apt to impose upon the judgment , let us draw what light we can from reason . I begin ...
Strona 264
... epic or for dramatic com- position ? For which is dialogue better qualified ? For which is narrative ? What is peculiarly the province of tragedy ? —what of epic poetry ? What is the subject best fitted for tragedy ? -why ? Why does not ...
... epic or for dramatic com- position ? For which is dialogue better qualified ? For which is narrative ? What is peculiarly the province of tragedy ? —what of epic poetry ? What is the subject best fitted for tragedy ? -why ? Why does not ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers