An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 172
... comparisons ; in what circumstances they may be introduced , and in what circumstances they are out of place . A comparison is not proper on every occasion : a man , when cool and sedate , is not disposed to poetical flights , nor to ...
... comparisons ; in what circumstances they may be introduced , and in what circumstances they are out of place . A comparison is not proper on every occasion : a man , when cool and sedate , is not disposed to poetical flights , nor to ...
Strona 176
... comparison is not always faultless , even where it is properly introduced . I have endeavored above to give a general view of the different ends to which a comparison may contribute . A comparison , like other human productions , may ...
... comparison is not always faultless , even where it is properly introduced . I have endeavored above to give a general view of the different ends to which a comparison may contribute . A comparison , like other human productions , may ...
Strona 181
... comparison ? Who excels in it ? Give an example . When are comparisons improper ? When are the boldest similies and metaphors relished ? When are we disposed to figurative expression ? Give examples of similies improperly introduced ...
... comparison ? Who excels in it ? Give an example . When are comparisons improper ? When are the boldest similies and metaphors relished ? When are we disposed to figurative expression ? Give examples of similies improperly introduced ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers