An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 60
... circumstances only which make the greatest figure , keeping out of view every thing low or trivial ; for the mind , elevated by an important object , cannot , without reluctance , be forced down to bestow any share of its attention upon ...
... circumstances only which make the greatest figure , keeping out of view every thing low or trivial ; for the mind , elevated by an important object , cannot , without reluctance , be forced down to bestow any share of its attention upon ...
Strona 142
... Circumstances in a period resemble small stones in a building , employed to fill up vacuities among those of a larger size . In the arrangement of a period , such under - parts crowded together make a poor figure ; and never are ...
... Circumstances in a period resemble small stones in a building , employed to fill up vacuities among those of a larger size . In the arrangement of a period , such under - parts crowded together make a poor figure ; and never are ...
Strona 172
... circumstances they may be introduced , and in what circumstances they are out of place . A comparison is not proper on every occasion : a man , when cool and sedate , is not disposed to poetical flights , nor to sacrifice truth and ...
... circumstances they may be introduced , and in what circumstances they are out of place . A comparison is not proper on every occasion : a man , when cool and sedate , is not disposed to poetical flights , nor to sacrifice truth and ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers