An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 21
... called a pas- sion ; when the desire is fulfilled , the passion is grati- fied ; the gratification is pleasant , and affects us with joy . The exception is , a man stung with remorse , who desires to chastise and punish himself . The ...
... called a pas- sion ; when the desire is fulfilled , the passion is grati- fied ; the gratification is pleasant , and affects us with joy . The exception is , a man stung with remorse , who desires to chastise and punish himself . The ...
Strona 50
... called attractive ? Why are others called repulsive ? What effect is produced by an agreeable sensible being ? What principle is the origin of sympathy ? Does it afford gratification to the person that feels it ? What emotion is raised ...
... called attractive ? Why are others called repulsive ? What effect is produced by an agreeable sensible being ? What principle is the origin of sympathy ? Does it afford gratification to the person that feels it ? What emotion is raised ...
Strona 58
... called magnanimity . Every emotion that contracts the mind , and fixeth it upon things trivial or of no importance , is termed low , by its resemblance to an emotion produced by a little or low object of sight : thus an appetite for ...
... called magnanimity . Every emotion that contracts the mind , and fixeth it upon things trivial or of no importance , is termed low , by its resemblance to an emotion produced by a little or low object of sight : thus an appetite for ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers