An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 143
... beginning of the period , or near the beginning , the transition from it to the principal subject is agreeable : it is like ascending , or going upward . On the other hand , to place it late in the period has a bad effect . Example ...
... beginning of the period , or near the beginning , the transition from it to the principal subject is agreeable : it is like ascending , or going upward . On the other hand , to place it late in the period has a bad effect . Example ...
Strona 266
... beginning , the middle , and the end of what Aristo- tle calls an entire action . The story begins with de- scribing ... beginning , middle , and end , in which consists unity of action ; and stricter unity cannot be imagined . But an ...
... beginning , the middle , and the end of what Aristo- tle calls an entire action . The story begins with de- scribing ... beginning , middle , and end , in which consists unity of action ; and stricter unity cannot be imagined . But an ...
Strona 274
... beginning of an entire action - the middle - the end . What principle produces the satisfaction derived from such an action ? In what does unity of action consist ? Which possesses the greater unity of action , the Æneid or Iliad ? What ...
... beginning of an entire action - the middle - the end . What principle produces the satisfaction derived from such an action ? In what does unity of action consist ? Which possesses the greater unity of action , the Æneid or Iliad ? What ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers