An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona x
... become a critic in the fine arts ? What do the fine arts thus become ? What is the first advantage which arises from an acquaintance with the principles of the fine arts ? To whom are the fine arts a favorite entertainment ? What habit ...
... become a critic in the fine arts ? What do the fine arts thus become ? What is the first advantage which arises from an acquaintance with the principles of the fine arts ? To whom are the fine arts a favorite entertainment ? What habit ...
Strona 19
... becomes often an additional motive for acting . The child eats from the impulse of hun- ger ; a young man has the additional pleasure of gratification ; an old man , because eating contributes to health , has an additional motive ...
... becomes often an additional motive for acting . The child eats from the impulse of hun- ger ; a young man has the additional pleasure of gratification ; an old man , because eating contributes to health , has an additional motive ...
Strona 282
... becomes a difficult task to attain both in any perfection . In a hot country , it is a capital object to have what may be termed a summer garden ; a spot of ground disposed by art and by nature to exclude the sun , but to give free ...
... becomes a difficult task to attain both in any perfection . In a hot country , it is a capital object to have what may be termed a summer garden ; a spot of ground disposed by art and by nature to exclude the sun , but to give free ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers