An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
Z wnętrza książki
Wyniki 1 - 3 z 61
Strona vii
... arts . The man who aspires to be a critic in these arts , must pierce still deeper : he must acquire a clear perception of what objects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a ...
... arts . The man who aspires to be a critic in these arts , must pierce still deeper : he must acquire a clear perception of what objects are lofty , what low , what proper or improper , what manly , and what mean or trivial . Hence a ...
Strona x
... arts : but in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . That subject is here attempted , so far as necessary for unfolding the ...
... arts : but in order to make pleasant impressions , we ought , as above hinted , to know what objects are naturally agreeable , and what naturally disagreeable . That subject is here attempted , so far as necessary for unfolding the ...
Strona 275
... art merely , without aspiring to be classed with the fine arts . Architecture , therefore , and gar- dening , being useful arts as well as fine arts , afford two different views . The reader will not here expect rules GARDENING AND ...
... art merely , without aspiring to be classed with the fine arts . Architecture , therefore , and gar- dening , being useful arts as well as fine arts , afford two different views . The reader will not here expect rules GARDENING AND ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
Nie pokazano 11 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers