An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 11
... arises in the mind without any perceived connexion . We can attend to some ideas and dismiss others . Among objects connected , one suggests many of its re- lations ; choice is afforded ; we can elect one and re- ject others . We can ...
... arises in the mind without any perceived connexion . We can attend to some ideas and dismiss others . Among objects connected , one suggests many of its re- lations ; choice is afforded ; we can elect one and re- ject others . We can ...
Strona 133
... arises from its power of expressing thought ; the beauty of thought makes it appear more beautiful . This beauty is the beauty of means fitted to an end . The beauty of language arises from sound ; signification ; resemblance between ...
... arises from its power of expressing thought ; the beauty of thought makes it appear more beautiful . This beauty is the beauty of means fitted to an end . The beauty of language arises from sound ; signification ; resemblance between ...
Strona 152
... arises chiefly from the pauses and accents , which are of greater importance than is commonly thought . The pause , which paves the way to the accent , offers itself first to our examination ; and from a very short trial , the following ...
... arises chiefly from the pauses and accents , which are of greater importance than is commonly thought . The pause , which paves the way to the accent , offers itself first to our examination ; and from a very short trial , the following ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers