An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 215
... appear all of the same kind , wholly real , or wholly emblematical . For this reason , the history of Mary de Medicis , in the palace of Luxembourg , painted by Rubens , is unpleasant by a perpetual jum- ble of real and allegorical ...
... appear all of the same kind , wholly real , or wholly emblematical . For this reason , the history of Mary de Medicis , in the palace of Luxembourg , painted by Rubens , is unpleasant by a perpetual jum- ble of real and allegorical ...
Strona 263
... appear improper and affected in the mouths of the lower sort . Every scene in tragedy need not be in blank verse . Shakspeare , with great judgment , inter- mixes prose with verse , and only employs the latter where it is required by ...
... appear improper and affected in the mouths of the lower sort . Every scene in tragedy need not be in blank verse . Shakspeare , with great judgment , inter- mixes prose with verse , and only employs the latter where it is required by ...
Strona 279
... appear not like parts of one whole , but like small gardens in contiguity . Regularity is required in that part of ... appears more beautiful as well as more lofty than when naked . To distribute trees in a plain requires more art : near ...
... appear not like parts of one whole , but like small gardens in contiguity . Regularity is required in that part of ... appears more beautiful as well as more lofty than when naked . To distribute trees in a plain requires more art : near ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers