An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
Z wnętrza książki
Wyniki 1 - 3 z 11
Strona 214
... allegory . Nothing gives greater pleasure than this figure , when the representa- tive subject bears a strong analogy , in all its circum- stances , to that which is represented : but the choice is seldom so lucky ; the analogy being ...
... allegory . Nothing gives greater pleasure than this figure , when the representa- tive subject bears a strong analogy , in all its circum- stances , to that which is represented : but the choice is seldom so lucky ; the analogy being ...
Strona 215
... allegory , as well as in a metaphor , terms ought to be chosen that properly and literally are applicable to the representative subject ; nor ought any circum- stance to be added that is not proper to the represent- ative subject ...
... allegory , as well as in a metaphor , terms ought to be chosen that properly and literally are applicable to the representative subject ; nor ought any circum- stance to be added that is not proper to the represent- ative subject ...
Strona 258
... allegory ; and , therefore , no means can more effectually prevent the impression of reality , than to introduce allegorical co - operating with those whom we conceive to be really existing . The love - episode in the Henriade , * insuf ...
... allegory ; and , therefore , no means can more effectually prevent the impression of reality , than to introduce allegorical co - operating with those whom we conceive to be really existing . The love - episode in the Henriade , * insuf ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
Nie pokazano 11 innych sekcji
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers