An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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... hence ? Are the passions created for the public and for private good ? Why are some inanimate objects made agreeable ? What does this prove ? Why are other inanimate objects made disagreeable ? Why are certain objects called attractive ...
... hence ? Are the passions created for the public and for private good ? Why are some inanimate objects made agreeable ? What does this prove ? Why are other inanimate objects made disagreeable ? Why are certain objects called attractive ...
Strona 134
... Hence a rule for arranging the members of different periods with relation to cach other , that to avoid a tedious uniformity of sound and cadence , the arrangement , the cadence , and the length of the members , ought to be diversified ...
... Hence a rule for arranging the members of different periods with relation to cach other , that to avoid a tedious uniformity of sound and cadence , the arrangement , the cadence , and the length of the members , ought to be diversified ...
Strona 144
... Hence the beauty of inversion when happily conducted ; the beauty , not of an end , but of means , as furnishing opportunity for numberless orna- ments that find no place in a natural style : hence the force , the elevation , the ...
... Hence the beauty of inversion when happily conducted ; the beauty , not of an end , but of means , as furnishing opportunity for numberless orna- ments that find no place in a natural style : hence the force , the elevation , the ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers