An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 |
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Strona 98
... Give examples of ludicrous images . Give an example of fanciful causes assigned that have no natu- ral relation to ... an example of a seeming resemblance from a double meaning - of other seeming connexions from the same cause- of ...
... Give examples of ludicrous images . Give an example of fanciful causes assigned that have no natu- ral relation to ... an example of a seeming resemblance from a double meaning - of other seeming connexions from the same cause- of ...
Strona 123
... Give an example . What is the finest picture of this kind ? Give examples of overstrained sentiments - of sentiments below the tone of passion . Give examples of sentiments that agree not with the tone of the passion . What fault is found ...
... Give an example . What is the finest picture of this kind ? Give examples of overstrained sentiments - of sentiments below the tone of passion . Give examples of sentiments that agree not with the tone of the passion . What fault is found ...
Strona 202
... Give examples of it . Give examples of its union with personification . What does this figure require ? What is hyperbole ? -- describe its origin . How is it most successfully used ? -- why ? Give examples . When is hyperbole proper ...
... Give examples of it . Give examples of its union with personification . What does this figure require ? What is hyperbole ? -- describe its origin . How is it most successfully used ? -- why ? Give examples . When is hyperbole proper ...
Spis treści
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers