Revolutions from Grub Street: A History of Magazine Publishing in Britain

Przednia okładka
OUP Oxford, 2014 - 263
Revolutions from Grub Street charts the evolution of Britain's popular magazine industry from its seventeenth century origins through to the modern digital age. Following the reforms engendered by the Glorious Revolution of 1688 the Grub Street area of London, which later transmuted into the cluster of venerable publishing houses centred on Fleet Street, spawned a vibrant culture of commercial writers and small-scale printing houses. Exploiting the commercial potential offered by improvements to the system of letterpress printing, and allied to a growing demand for popular forms of reading matter, during the course of the eighteenth century one of Britain's pioneering cultural industries began to take meaningful shape. Publishers of penny weeklies and sixpenny monthlies sought to capitalise on the opportunities that magazines, combining lively text with appealing illustrations, offered for the turning of a profit. The technological revolutions of the nineteenth century facilitated the emergence of a host of small and medium-sized printer-publishers whose magazine titles found a willing and growing audience ranging from Britain's semi-literate working classes through to its fashion-conscious ladies. In 1881, the launch of George Newnes' highly innovative Tit-Bits magazine created a publishing sensation, ushering in the era of the modern, million-selling popular weekly. Newnes and his early collaborators Arthur Pearson and Alfred Harmsworth, went on to create a group of competing business enterprises that, during the twentieth century, emerged as colossal publishing houses employing thousands of mainly trade union-regulated workers. In the early 1960s these firms, together with Odhams Press, merged to create the basis of the modern magazine giant IPC. Practically a monopoly producer until the 1980s, IPC was convulsed thereafter by the dual revolutions of globalization and digitization, finding its magazines under commercial attack from all directions. Challenged first by EMAP, Natmags, and Condé Nast, by the 1990s IPC faced competition both from expanding European rivals, such as H. Bauer, and a variety of newly-formed agile domestic competitors who were able to successfully exploit the opportunities presented by desktop publishing and the world wide web. In a narrative spanning over 300 years, Revolutions from Grub Street draws together a wide range of new and existing sources to provide the first comprehensive business history of magazine-making in Britain.
 

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Spis treści

1 Creating the Market for Popular Magazines
1
2 Pioneers of the New Journalism Revolution
18
3 From Mass Periodicals to Mass Production
37
4 The Dominant Female
55
5 Monopoly Power and Politics
75
6 The Ministry of Magazines
91
7 The Competitive Landscape Transformed
114
8 Global Magazines and the Digital Age
142
A Note on the Scope of the Study
169
Notes
173
Bibliography
227
Index of Publications
245
General Index
251
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Informacje o autorze (2014)


Howard Cox, Professor of International Business History, University of Worcester,Simon Mowatt, Associate Professor of Management, AUT Business School

Howard Cox is Professor of International Business History at the University of Worcester, UK, where he has taught since 2004, During an academic career spanning over thirty years he has published widely in the fields of business history, international business, and corporate strategy. His well
received account of the international tobacco industry The Global Cigarette was also published by Oxford University Press in 2000.


Simon Mowatt has been Associate Professor of Management at AUT Business School, Auckland, New Zealand, since 2002, before which he held positions in Business Schools in the UK and Europe. Simon has published widely in the areas of business history, strategy and innovation in journals such as
Business History, Industrial and Corporate Change and Technology Analysis and Strategic Management.

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