The Historical Eye: The Texture of the Visual in Late JamesUPNE, 1991 - 189 |
Z wnętrza książki
Wyniki 1 - 5 z 82
Strona
Niestety, treść tej strony jest ograniczona.
Niestety, treść tej strony jest ograniczona.
Strona
The Texture of the Visual in Late James Susan M. Griffin. THE HISTORICAL EYE The Texture of the Visual in Late James SUSAN M. GRIFFIN Northeastern University Press BOSTON Northeastern University Press Copyright 1991 by Susan M. Griffin All.
The Texture of the Visual in Late James Susan M. Griffin. THE HISTORICAL EYE The Texture of the Visual in Late James SUSAN M. GRIFFIN Northeastern University Press BOSTON Northeastern University Press Copyright 1991 by Susan M. Griffin All.
Strona
The Texture of the Visual in Late James Susan M. Griffin. Figures John Quidor , The Return of Rip Van Winkle 98 Asher Brown Durand , View of the Hudson River Valley 108 Asher Brown Durand , Genesee Oaks 109 Thomas Cole , The Course of ...
The Texture of the Visual in Late James Susan M. Griffin. Figures John Quidor , The Return of Rip Van Winkle 98 Asher Brown Durand , View of the Hudson River Valley 108 Asher Brown Durand , Genesee Oaks 109 Thomas Cole , The Course of ...
Strona
Niestety, treść tej strony jest ograniczona.
Niestety, treść tej strony jest ograniczona.
Strona
Niestety, treść tej strony jest ograniczona.
Niestety, treść tej strony jest ograniczona.
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
active aesthetic American landscape American Painting American Scene Amerigo argues artist Asher Durand associationism associationist associations cage Chad Chad's Chapter Charlotte Cole's consciousness critics culture Denis Duval detail door East Sussex England English landscape environment essay example experience fact feeling fiction figure garden George Eliot Golden Bowl Henry James Historical Eye Hudson River human identity Impressionism insularity interest James calls James describes James's perceptual Jamesian perception John Carlos John Carlos Rowe knowledge Lamb House language Leon Edel literary look Maggie Maggie's Marie de Vionnet marked mental images mind narrative nature nineteenth-century novel objects passive perceiver picture psychology reader recognize resembles Romantic Ruskin scape self-consciousness sense shows sight social story stream Strether structures temporal texts Thackeray Thackeray's Theoretical Dimensions things Thomas Cole tion University Press Vionnet vision Visual Arts visual perception Walter Benn Michaels William James William James explains Winchelsea writer Yeazell York