The Historical Eye: The Texture of the Visual in Late JamesUPNE, 1991 - 189 |
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... . It was printed and bound by Maple Press , York , Penn . The paper is Sebago Antique Cream , an acid - free sheet . MANUFACTURED IN THE UNITED STATES OF AMERICA 95 94 93 92 91 5 4 3 2 1 To my parents , Doris Kenah and John Michael Griffin.
... . It was printed and bound by Maple Press , York , Penn . The paper is Sebago Antique Cream , an acid - free sheet . MANUFACTURED IN THE UNITED STATES OF AMERICA 95 94 93 92 91 5 4 3 2 1 To my parents , Doris Kenah and John Michael Griffin.
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active aesthetic American landscape American Painting American Scene Amerigo argues artist Asher Durand associationism associationist associations cage Chad Chad's Chapter Charlotte Cole's consciousness critics culture Denis Duval detail door East Sussex England English landscape environment essay example experience fact feeling fiction figure garden George Eliot Golden Bowl Henry James Historical Eye Hudson River human identity Impressionism insularity interest James calls James describes James's perceptual Jamesian perception John Carlos John Carlos Rowe knowledge Lamb House language Leon Edel literary look Maggie Maggie's Marie de Vionnet marked mental images mind narrative nature nineteenth-century novel objects passive perceiver picture psychology reader recognize resembles Romantic Ruskin scape self-consciousness sense shows sight social story stream Strether structures temporal texts Thackeray Thackeray's Theoretical Dimensions things Thomas Cole tion University Press Vionnet vision Visual Arts visual perception Walter Benn Michaels William James William James explains Winchelsea writer Yeazell York