Introduction to the Literature of Europe in the Fifteenth, Sixteenth, and Seventeenth Centuries, Tom 2J. Murray, 1843 |
Spis treści
| 72 | |
| 81 | |
| 84 | |
| 90 | |
| 118 | |
| 122 | |
| 128 | |
| 135 | |
| 141 | |
| 143 | |
| 149 | |
| 188 | |
| 190 | |
| 192 | |
| 211 | |
| 219 | |
| 242 | |
| 245 | |
| 256 | |
| 366 | |
| 378 | |
| 385 | |
| 410 | |
| 432 | |
| 441 | |
| 452 | |
| 458 | |
| 467 | |
| 493 | |
| 503 | |
| 504 | |
| 510 | |
| 516 | |
| 518 | |
| 558 | |
| 570 | |
| 576 | |
| 584 | |
Inne wydania - Wyświetl wszystko
Kluczowe wyrazy i wyrażenia
admiration Æneid afterwards Amadigi ancient appear Ariosto Aristotle Baillet beauty Bernardo Tasso Biogr Bodin borrowed Bouterwek censure character chiefly church Claudio Tolomei comedy contemporaries Corniani Crescimbeni critics Cujacius deserve dramatic edition elegant England English Faery Queen France French Gaspara Gaspara Stampa genius Gesner Ginguéné Girolamo Preti grace Greek Grotius honour imitation Italian Italy Jesuits king known La Balia language Latin latter learning less literature Lope de Vega Lusiad merit modern Montucla natural Niceron observed original passages pastoral perhaps period Petrarch philosophy plays poem poetical poetry poets praise probably prose published quæ quam quod racter reader reckoned reign romance Rome Ronsard Rota satire says Scaliger Scioppius seems sense Shakspeare sixteenth century sometimes sonnet Spanish Spenser spirit style superior Tasso taste thought tion tone tragedy translation treatise Univ verse versification Vieta Virgil writers written
Popularne fragmenty
Strona 361 - How sweet the moonlight sleeps upon this bank! Here will we sit, and let the sounds of music Creep in our ears: soft stillness and the night Become the touches of sweet harmony. Sit, Jessica. Look, how the floor of heaven Is thick inlaid with patines of bright gold; There's not the smallest orb which thou behold'st But in his motion like an angel sings, Still quiring to the young-eyed cherubins: Such harmony is in immortal souls; But, whilst this muddy vesture of decay Doth grossly close it in, we...
Strona 446 - The original of them all, is that which we call SENSE, for there is no conception in a man's mind, which hath not at first, totally or by parts, been begotten upon the organs of sense.
Strona 466 - For there is no such thing as perpetual tranquillity of mind, while we live here; because life itself is but motion, and can never be without desire, nor without fear, no more than without sense...
Strona 465 - The passion of laughter is nothing else but sudden glory arising from some sudden conception of some eminency in ourselves, by comparison with the infirmity of others, or with our own formerly...
Strona 450 - finite.' Therefore there is no idea or conception of any thing we call 'infinite.' No man can have in his mind an image of infinite magnitude, nor conceive infinite swiftness, infinite time, or infinite force, or infinite power. When we say...
Strona 513 - the notions of right and wrong, justice and injustice, have no place. Where there is no common power, there is no law, where no law, no injustice.
Strona 465 - For these words of good, evil, and contemptible are ever used with relation to the person that useth them, there being nothing simply and absolutely so, nor any common rule of good and evil to be taken from the nature of the objects themselves...
Strona 447 - But that when a thing is in motion, it will eternally be in motion, unless somewhat else stay it, though the reason be the same, namely, that nothing can change itself, is not so easily assented to. For men measure, not only other men, but all other things, by themselves ; and because they find themselves subject after motion to pain, and lassitude, think every thing else grows weary of motion, and seeks repose of its own accord ; little considering, whether it be not some other motion, wherein that...
Strona 456 - So that in the right definition of names lies the first use of speech; which is the acquisition of science...
Strona 381 - At Inductio quae ad inventionem et demonstrationem scientiarum et artium erit utilis naturam separate debet, per rejectiones et exclusiones debitas; ac deinde, post negativas tot quot sufficiunt, super affirmativas concludere; quod adhuc factum non est, nee tentatum certe, nisi tantummodo a Platone, qui ad excutiendas definitiones et ideas, hac certe forma inductionis aliquatenus utitur.