Conceptualizing Music: Cognitive Structure, Theory, and AnalysisOxford University Press, 2002 - 360 This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles. |
Inne wydania - Wyświetl wszystko
Conceptualizing Music: Cognitive Structure, Theory, and Analysis Lawrence M. Zbikowski Ograniczony podgląd - 2002 |
Conceptualizing Music: Cognitive Structure, Theory, and Analysis Lawrence M. Zbikowski Ograniczony podgląd - 2002 |
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account of musical basic bass Beethoven bell-path bells blended space Bye Bye Blackbird cadence Cambridge University Press century ceptual chap chapter Chicago chord compositional strategies conceptual blending conceptual metaphor conceptual models correlated cresc cross-domain mapping cultural developed discussion Eeyore Eleanor Rosch elements example figure George Lakoff harmonic Heinrich Schenker human input spaces intervals jazz Jeff Jeff's Leidensmotiv Ludwig van Beethoven Mark Turner measure-categories measures melody mental spaces metaphor motive forms movement Mozart music theory musical discourse musical form musical materials musical syntax Nonetheless notation notes notion pattern performance perspective phrase piano pitch-events pitches poem Rameau relationships rhetoric Rhythm rhythmic Schenker Schoenberg Schubert's Schumann's Signifyin(g sonata sonata form song sort specific ẞ form stanzas String Quartet text painting theorists theory of music tion tonal tonic Tristan und Isolde Trockne Blumen tune Twinkle typical understanding Ursatz variant voice waltz